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The importance of a good opening line

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This post asks the question,

How does the order of questions in a test affects how well students do?

The answer is “significantly.”

The post points to a paywalled study that shows, fairly conclusively, that starting with simpler questions in a typical academic quiz (on average) improves the overall results and, in particular, the chances of getting to the end of a quiz at all.  The study includes both an experimental field study using a low-stakes quiz, and a large-scale correlational study using a PISA dataset. Some of the effect sizes are quite large: about a 50% increase in non-completions for the hard-to-easy condition compared with the easy-to-hard condition, and a about a 25% increase in time on task for the easy-to-hard condition, suggesting students stick at it more when they have gained confidence earlier on. The increase in marks for the easy-to-hard condition compared with the hard-to easy condition is more modest when non-completions are excluded, but enough to make the difference between a pass and a fail for many students.

I kind-of knew this already but would not have expected it to make such a big difference.  It is a good reminder that, of course, objective tests are not objective. A quiz is a kind of interactive story with a very definite beginning, middle, and end, and it makes a big difference which parts of the story happen when, especially the beginning. Quizzes are like all kinds of learning experience: scaffolding helps, confidence matters, and motivation is central.  You can definitely put someone off reading a story if it has a bad first paragraph. Attitude makes all the difference in the world, which is one very good reason that such tests, and written exams in general, are so unfair and weak at discriminating capability, and why I have always done unreasonably well in such things: I generally relish the challenge. The authors reckon that adaptive quizzes might be one answer, and would especially benefit weaker students by ramping up the difficulty slowly, but warn that they may make things worse for more competent students who would experience the more difficult questions sooner. That resonates with my experience, too.

I don’t give marks for quizzes in any of my own courses and I allow students to try them as often as they wish but, even so, I have probably caused motivational harm by randomizing formative questions. I’m going to stop doing that in future. Designated teachers are never the sole authors of any educational story but, whenever they exert control, their contributions can certainly matter, at small scales and large. I wonder, how many people have had their whole lives changed for the worse by a bad opening line?

Source: It’s a question of order – 3-Star learning experiences

 

And now in Chinese: 在线学习环境：隐喻问题与系统改进. And some thoughts on the value of printed texts.

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Warm off the press, and with copious thanks and admiration to Junhong Xiao for the invitation to submit and the translation, here is my paper “The problematic metaphor of the environment in online learning” in Chinese, in the Journal of Open Learning. It is based on my OTESSA Journal paper, originally published as “On the Misappropriation of Spatial Metaphors in Online Learning” at the end of 2022 (a paper I am quite pleased with, though it has yet to receive any citations that I am aware of).

Many thanks, too, to Junhong for sending me the printed version that arrived today, smelling deliciously of ink. I hardly ever read anything longer than a shopping bill on paper any more but there is something rather special about paper that digital versions entirely lack. The particular beauty of a book or journal written in a language and script that I don’t even slightly understand is that, notwithstanding the ease with which I can translate it using my phone, it largely divorces the medium from the message. Even with translation tools my name is unrecognizable to me in this: Google Lens translates it as “Jon Delong”. Although I know it contains a translation of my own words, it is really just a thing: the signs it contains mean nothing to me, in and of themselves. And it is a thing that I like, much as I like the books on my bookshelf.

I am not alone in loving paper books, a fact that owners of physical copies of my most recent book (which can be read online for free but that costs about $CAD40 on paper) have had the kindness to mention, e.g. here and here. There is something generational in this, perhaps. For those of us who grew up knowing no other reading medium than ink on paper, there is comfort in the familiar, and we have thousands (perhaps millions) of deeply associated memories in our muscles and brains connected with it, made more precious by the increasing rarity with which those memories are reinforced by actually reading them that way. But, for the most part, I doubt that my grandchildren, at least, will lack that. While they do enjoy and enthusiastically interact with text on screens, from before they have been able to accurately grasp them they have been exposed to printed books, and have loved some of them as much as I did at the same ages.

It is tempting to think that our love of paper might simply be because we don’t have decent e-readers, but I think there is more to it than that. I have some great e-readers in many sizes and types, and I do prefer some of them to read from, for sure: backlighting when I need it, robustness, flexibility, the means to see it in any size or font that works for me, the simple and precise search, the shareable highlights, the lightness of (some) devices, the different ways I can hold them, and so on, make them far more accessible. But paper has its charms, too. Most obviously, something printed on a paper is a thing to own whereas, on the whole, a digital copy tends to just be a licence to read, and ownership matters. I won’t be leaving my e-books to my children. The thingness really matters in other ways, too. Paper is something to handle, something to smell. Pages and book covers have textures – I can recognize some books I know well by touch alone. It affects many senses, and is more salient as a result. It takes up room in an environment so it’s a commitment, and so it has to matter, simply because it is there; a rivalrous object competing with other rivalrous objects for limited space. Paper comes in fixed sizes that may wear down but will never change: it thus keeps its shape in our memories, too. My wife has framed occasional pages from my previously translated work, elevating them to art works, decoupled from their original context, displayed with the same lofty reverence as pages from old atlases. Interestingly, she won’t do that if it is just a printed PDF: it has to come from a published paper journal, so the provenance matters. Paper has a history and a context of its own, beyond what it contains. And paper creates its own context, filled with physical signals and landmarks that make words relative to the medium, not abstractions that can be reflowed, translated into other languages, or converted into other media (notably speech). The result is something that is far more memorable than a reflowable e-text. Over the years I’ve written a little about this here and there, and elsewhere, including a paper on the subject (ironically, a paper that is not available on paper, as it happens), describing an approach to making e-texts more memorable.

After reaching a slightly ridiculous peak in the mid-2000s, and largely as a result of a brutal culling that occurred when I came to Canada nearly 17 years ago, my paper book collection has now diminished to easily fit in a single and not particularly large free-standing IKEA shelving unit. The survivors are mostly ones I might want to refer to or read again, and losing some of them would sadden me a great deal, but I would only (perhaps) run into a burning building to save just a few, including, for instance:

  • A dictionary from 1936, bound in leather by my father and used in countless games of Scrabble and spelling disputes when I was a boy, and that was used by my whole family to look up words at one time or another.
  • My original hardback copy of the Phantom Tollbooth (I have a paperback copy for lending), that remains my favourite book of all time, that was first read to me by my father, and that I have read myself many times at many ages, including to my own children.
  • A boxed set of the complete works of Narnia, that I chose as my school art prize when I was 18 because the family copies had become threadbare (read and abused by me and my four siblings), and that I later read to my own children. How someone with very limited artistic skill came to win the school art prize is a story for another time.
  • A well-worn original hardback copy of Harold and the Purple Crayon (I have a paperback copy for lending) that my father once displayed for children in his school to read, with the admonition “This is Mr Dron’s book. Please handle with care” (it was not – it was mine).
  • A scribble-filled, bookmark-laden copy of Kevin Kelly’s Out of Control that strongly influenced my thinking when I was researching my PhD and that still inspires me today. I can remember exactly where I sat when I made some of the margin notes.
  • A disintegrating copy of Storyland, given to me by my godmother in 1963 and read to me and by me for many years thereafter. There is a double value to this one because we once had two copies of this in our home: the other belonged to my wife, and was also a huge influence on her at similar ages.

These books proudly wear their history and their relationships with me and my loved ones in all their creases, coffee stains, scuffs, and tattered pages.pile of some of my favourite books  To a greater or lesser extent, the same is true of almost all of the other physical books I have kept. They sit there as a constant reminder of their presence – their physical presence, their emotional presence, their social presence and their cognitive presence – flitting by in my peripheral vision many times a day, connecting me to thoughts and inspirations I had when I read them and, often, with people and places connected with them. None of this is true of my e-books. Nor is it quite the same for other objects of sentimental value, except perhaps (and for very similar reasons) the occasional sculpture or picture, or some musical instruments. Much as I am fond of (say) baby clothes worn by my kids or a battered teddy bear, they are little more than aides memoires for other times and other activities, whereas the books (and a few other objects) latently embody the experiences themselves. If I opened them again (and I sometimes do) it would not be the same experience, but it would enrich and connect with those that I already had.

I have hundreds of e-books that are available on many devices, one of which I carry with me at all times, not to mention an Everand (formerly Scribd) account with a long history, not to mention a long and mostly lost history of library borrowing, and I have at least a dozen devices on which to read them, from a 4 inch e-ink reader to a 32 inch monitor and much in between, but my connection with those is far more limited and transient. It is still more limited for books that are locked to a certain duration through DRM (which is one reason they are the scum of the earth). When I look at my devices and open the various reading apps on them I do see a handful of book covers, usually those that I have most recently read, but that is too fleeting and volatile to have much value. And when I open them they don’t fall open on well-thumbed pages. The text is not tangibly connected with the object at all.

As well as smarter landmarks within them, better ways to make e-books more visible would help, which brings me to the real point of this post. For many years I have wanted to paper a wall or two with e-paper (preferably in colour) on which to display e-book covers, but the costs are still prohibitive. It would be fun if the covers would become battered with increasing use, showing the ones that really mattered, and maybe dust could settle on those that were never opened, though it would not have to be so skeuomorphic – fading would work, or glyphs. They could be ordered manually or by (say) reading date, title, author, or subject. Perhaps touching them or scanning a QR code could open them. I would love to get a research grant to do this but I don’t think asking for electronic wallpaper in my office would fly with most funding sources, even if I prettied it up with words like “autoethnography”, and I don’t have a strong enough case, nor can I think of a rigorous enough research methodology to try it in a larger study with other people. Well. Maybe I will try some time. Until the costs of e-paper come down much further, it is not going to be a commercially viable product, either, though prices are now low enough that it might be possible to do it in a limited way with a poster-sized display for a (very) few thousand dollars. It could certainly be done with a large screen TV for well under $1000 but I don’t think a power-hungry glowing screen would be at all the way to go: the value would not be enough to warrant the environmental harm or energy costs, and something that emitted light would be too distracting. I do have a big monitor on my desk, though, which is already doing that so it wouldn’t be any worse, to which I could add a background showing e-book covers or spines. I could easily do this as a static image or slideshow, but I’d rather have something dynamic. It shouldn’t be too hard to extract the metadata from my list of books, swipe the images from the Web or the e-book files, and show them as a backdrop (a screensaver would be trivial). It might even be worth extending this to papers and articles I have read. I already have Pocket open most of the time, displaying web pages that I have recently read or want to read (serving a similar purpose for short-term recollection), and that could be incorporated in this. I think it would be useful, and it would not be too much work to do it – most of the important development could be done in a day or two. If anyone has done this already or feels like coding it, do get in touch!

Slides from my SITE keynote, 2024: The Intertwingled Teacher

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The Intertwingled Teacher 

UPDATE:  the video of my talk is now available at https://www.youtube.com/watch?v=ji0jjifFXTs  (slides and audio only) …

Photo of Jon holding a photo of Jon These are the slides from my opening keynote at SITE ‘24 today, at Planet Hollywood in Las Vegas. The talk was based closely on some of the main ideas in How Education Works.  I’d written an over-ambitious abstract promising answers to many questions and concerns, that I did just about cover but far too broadly. For counter balance, therefore, I tried to keep the focus on a single message – t’aint what you do, it’s the way that you do it (which is the epigraph for the book) – and, because it was Vegas,  I felt that I had to do a show, so I ended the session with a short ukulele version of the song of that name. I had fun, and a few people tried to sing along. The keynote conversation that followed was most enjoyable – wonderful people with wonderful ideas, and the hour allotted to it gave us time to explore all of them.

Here is that bloated abstract:

Abstract: All of us are learning technologists, teaching others through the use of technologies, be they language, white boards, and pencils or computers, apps, and networks. We are all part of a vast, technology-mediated cognitive web in which a cast of millions – in formal education including teachers such as textbook authors, media producers, architects, software designers, system administrators, and, above all, learners themselves –  co-participates in creating an endless, richly entwined tapestry of learning. This tapestry spreads far beyond formal acts of teaching, far back in time, and far into the future, weaving in and helping to form not just the learning of individuals but the collective intelligence of the whole human race. Everyone’s learning journey both differs from and is intertwingled with that of everyone else. Education is an overwhelmingly complex and unpredictable technological system in which coarse patterns and average effects can be found but, except in the most rigid, invariant, minor details, of which individual predictions cannot be accurately made. No learner is average, and outcomes are always greater than what is intended. The beat of a butterfly’s wing in Timbuktu can radically affect the experience of a learner in Toronto. A slight variation in tone of voice can make all the difference between a life-transforming learning experience and a lifelong aversion to a subject. Beautifully crafted, research-informed teaching methods can be completely ineffective, while poor teaching, or even the absence of it, can result in profoundly affective learning. For all our efforts to understand and control it, education as a technological process is far closer to art than to engineering. What we do is usually far less significant than the idiosyncratic way that we do it, and how much we care for the subject, our students, and our craft is often far more important than the pedagogical methods we use. In this talk I will discuss what all of this implies for how we should teach, for how we understand teaching, and for how we research the massively intertwingled processes and tools of teaching. Along the way I will explain why there is no significant difference between measured outcomes of online or in-person learning, the futility of teaching to learning styles, the reason for the 2-sigma advantage of personal tuition, the surprising commonalities between behaviourist, cognitivist, constructivist models of learning and teaching, the nature of literacies, and the failure of reductive research methods in education. It will be fun

A conversation about generative AI with David Webster

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A week or so ago, early (for me) on a Monday morning, Professor David Webster and I had a conversation about generative AI, which was recorded as the first of a podcast series on the topic, hosted by the University of Liverpool. Here is that podcast. In it we explore both the darker and the more optimistic aspects of genAI, in a pleasantly rambling discussion that, surprisingly, lasted for about an hour.

I hadn’t spoken with Dave for well over a decade, at a conference in Hawaii, long before we became full professors or got elevated to loftier roles in our respective institutions, but it felt like we were just continuing the conversations we had back then. The only thing missing was a cold beer, swaying palm trees, and the sound of ukuleles drifting in the warm breeze. Well, that and a 6.5 earthquake that took out the power for a day and that made the conference a lot more memorable than it otherwise might have been. This conversation was a lot less earth shattering but it was just as enjoyable.

New article from Gerald Ardito and me – The emergence of autonomy in intertwingled learning environments: a model of teaching and learning

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Here is a paper from the Asia-Pacific Journal of Teacher Education by my friend Gerald Ardito and me that presents a slightly different way of thinking about teaching and learning. We adopt a broadly complexivist stance that sees environments not as a backdrop to learning but as a rich network of dynamic, interwingled relationships between the various parts (including parts played by people), mediated through technologies, enabling and enabled by autonomy. The model that we develop knits together a smorgasbord of theories and models, including Self-Determination Theory (SDT), Connectivism, an assortment of complexity theories, the extended version of Paulsen’s model of cooperative freedoms developed by me and Terry Anderson, Garrison & Baynton’s model of autonomy, and my own coparticipation theory, wrapping up with a bit of social network analysis of a couple of Gerald’s courses that puts it all into perspective. From Gerald’s initial draft the paper took years of very sporadic development and went through many iterations. It seemed to take forever, but we had fun writing it. Looking afresh at the finished article, I think the diagrams might have been clearer, we might have done more to join all the dots, and we might have expressed the ideas a bit less wordily, but I am mostly pleased with the way it turned out, and I am glad to see it finally published. The good bits are all Gerald’s, but I am personally most pleased with the consolidated model of autonomy visualized in figure 4, that connects my own & Terry Anderson’s cooperative freedoms, Garrison & Baynton’s model of autonomy, and SDT.

combining cooperative freedoms, autonomy, and SDT

Reference:

Gerald Ardito & Jon Dron (2024) The emergence of autonomy in intertwingled learning environments: a model of teaching and learning, Asia-Pacific Journal of Teacher Education, DOI: 10.1080/1359866X.2024.2325746

▶ I got air: interview with Terry Greene

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Since 2018, Terry Greene has been producing a wonderful series of podcast interviews with open and online learning researchers and practitioners called Getting Air. Prompted by the publication of How Education Works, (Terry is also responsible for the musical version of the book, so I think he likes it) this week’s episode features an interview with me.

I probably should have been better prepared. Terry asked some probing, well-informed, and sometimes disarming questions, most of which led to me rambling more than I might have done if I’d thought about them in advance. It was fun, though, drifting through a broad range of topics from the nature of technology to music to the perils of generative AI (of course).

I hope that Terry does call his PhD dissertation “Getting rid of instructional designers”.

Journal of Imaginary Research, Volume 9 (including a piece by me)

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Since 2015 Kay Guccione and Matthew Cheeseman have been editing the wonderful Journal of Imaginary Research (tagline “Writing Without Discipline”) that, once a year, publishes fictional research abstracts by fictional researchers. Each issue has a theme, and Volume 9’s is “Deal or Dealing”.  I have an abstract in it.

As well as providing some entertaining and often very funny short reads, there is a serious academic intent behind all of this. As Guccione and Cheeseman put it,

“In producing these short, exploratory pieces, we seek to help writers establish a new relationship with writing; less driven by the demands of
productivity. Writing fiction in a familiar format helps us reflect on how we can creatively communicate our research projects, and how we can find the joy of creativity in all our writing. Many of the pieces we receive, whilst fictional, have a basis in a real observation or experience; almost all take a fresh look at a problem, frustration or constraint experienced by the researchers who crafted them.”

My own contribution (well, that of Dr Dorian Faust Jr, an assistant professor in the Faculty of Arbitrary Studies at the University of New Catatonia) is one of two that investigate the economic value of a soul. Mine is less about soul-selling than it is about the misapplication of quantitative research to things that cannot be quantified, as well as offering a broader critique of systems driving academia in general. It’s the work of less than an hour and I suspect that it might not make much of a contribution to my h-index but, self-referentially, that’s not going to stop me from listing it as a journal publication for my annual performance review.

Educational ends and means: McNamara’s Fallacy and the coming robot apocalypse (presentation for TAMK)

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These are the slides that I used for my talk with a delightful group of educational leadership students from TAMK University of Applied Sciences in Tampere, Finland at (for me) a somewhat ungodly hour Wednesday night/Thursday morning after a long day. If you were in attendance, sorry for any bleariness on my part. If not, or if you just want to re-live the moment, here is the video of the session (thanks Mark!)man shaking hands with a robot

The brief that I was given was to talk about what generative AI means for education and, if you have been following any of my reflections on this topic then you’ll already have a pretty good idea of what kinds of issues I raised about that. My real agenda, though, was not so much to talk about generative AI as to reflect on the nature and roles of education and educational systems because, like all technologies, the technology that matters in any given situation is the enacted whole rather than any of its assembled parts. My concerns about uses of generative AI in education are not due to inherent issues with generative AIs (plentiful though those may be) but to inherent issues with educational systems that come to the fore when you mash the two together at a grand scale.

The crux of this argument is that, as long as we think of the central purposes of education as being the attainment of measurable learning outcomes or the achievement of credentials, especially if the focus is on training people for a hypothetical workplace, the long-term societal effects of inserting generative AIs into the teaching process are likely to be dystopian. That’s where Robert McNamara comes into the picture. The McNamara Fallacy is what happens when you pick an aspect of a system to measure, usually because it is easy, and then you use that measure to define success, choosing to ignore or to treat as irrelevant anything that cannot be measured. It gets its name from Robert McNamara, US Secretary of Defense during the Vietnam war, who famously measured who was winning by body count, which is probably among the main reasons that the US lost the war.

My concern is that measurable learning outcomes (and still less the credentials that signify having achieved them) are not the ends that matter most. They are, more, means to achieve far more complex, situated, personal and social ends that lead to happy, safe, productive societies and richer lives for those within them. While it does play an important role in developing skills and knowledge, education is thus more fundamentally concerned with developing values, attitudes, ways of thinking, ways of seeing, ways of relating to others, ways of understanding and knowing what matters to ourselves and others, and finding how we fit into the social, cultural, technological, and physical worlds that we inhabit. These critical social, cultural, technological, and personal roles have always been implicit in our educational systems but, at least in in-person institutions, it seldom needs to be made explicit because it is inherent in the structures and processes that have evolved over many centuries to meet this need. This is why naive attempts to simply replicate the in-person learning experience online usually fail: they replicate the intentional teaching activities but neglect to cater for the vast amounts of learning that occur simply due to being in a space with other people, and all that emerges as a result of that. It is for much the same reasons that simply inserting generative AI into existing educational structures and systems is so dangerous.

If we choose to measure the success or failure of an educational system by the extent to which learners achieve explicit learning outcomes and credentials, then the case for using generative AIs to teach is extremely compelling. Already, they are far more knowledgeable, far more patient, far more objective, far better able to adapt their teaching to support individual student learning, and far, far cheaper than human teachers. They will get better. Much better. As long as we focus only on the easily measurable outcomes and the extrinsic targets, simple economics combined with their measurably greater effectiveness means that generative AIs will increasingly replace teachers in the majority of teaching roles.  That would not be so bad – as Arthur C. Clarke observed, any teacher that can be replaced by a machine should be – were it not for all the other more important roles that education plays, and that it will continue to play, except that now we will be learning those ways of being human from things that are not human and that, in more or less subtle ways, do not behave like humans. If this occurs at scale – as it is bound to do – the consequences for future generations may not be great. And, for the most part, the AIs will be better able to achieve those learning outcomes themselves – what is distinctive about them is that they are, like us, tool users, not simply tools – so why bother teaching fallible, inconsistent, unreliable humans to achieve them? In fact, why bother with humans at all? There are, almost certainly, already large numbers of instances in which at least part of the teaching process is generated by an AI and where generative AIs are used by students to create work that is assessed by AIs.

It doesn’t have to be this way. We can choose to recognize the more important roles of our educational systems and redesign them accordingly, as many educational thinkers have been recommending for considerably more than a century. I provide a few thoughts on that in the last few slides that are far from revolutionary but that’s really the point: we don’t need much novel thinking about how to accommodate generative AI into our existing systems. We just need to make those systems work the way we have known they should work for a very long time.

Download the slides | Watch the video

Stories that matter and stories that don’t: some thoughts on appropriate teaching roles for generative AIs

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robot reading a bedtime story to a child Well, this was definitely going to happen.

The system discussed in this Wired article is a bot (not available to the general public) that takes characters from the absurdly popular Bluey cartoon series and creates personalized bedtime stories involving them for its creator’s children using ChatGPT+. This is something anyone could do – it doesn’t take a prompt-wizard or specialized bot to do this. You could easily make any reasonably proficient LLM incorporate your child’s interests, friends, family, and characteristics and churn out a decent enough story from it. With copyright-free material you could make the writing style and scenes very similar to the original. A little editorial control may be needed here and there but I think that, with a smart enough prompt, it would do a fairly good, average sort of a job, at least as readable as what an average human might produce, in a fraction of the time. I find this to be hugely problematic, though, and not for the reasons given in the article, though there are certainly some legal and ethical concerns, especially around copyright and privacy as well as the potential for generating dubious, disturbing, or otherwise poor content.

Why stories matter

The thing that bothers me most about this is not the quality of the stories but the quality of the relationship between the author and the reader (or listener).  Stories are the most human of artifacts, the ways that we create and express meaning, no matter how banal. They act as hooks that bind us together, whether invented by a parent or shared across whole cultures. They are a big part of how we learn and establish our relationships with the world and with one another. They are glimpses into how another person thinks and feels: they teach us what it means to be human, in all its rich diversity. They reflect the best and the worst of us, and they teach us about what matters.

My children were in part formed by the stories I made up or read to them 30 or more years ago, and it matters that none were made by machines. The language that I used, the ways that I wove in people and things that were meaningful to them, the attitudes I expressed, the love that went into them, all mattered.  I wish I’d recorded one or two, or jotted down the plots of at least some of the very many Lemmie the Suicidal Lemming stories that were a particular favourite. These were not as dark as they sound – Lemmie was a cheerful creature who just happened to be prone to putting himself in life-threatening situations, usually as a result of following others. Now that they have children of their own, both my kids have deliciously dark but fundamentally compassionate senses of humour and a fierce independence that I’d like to think may, in small part, be a result of such tales.

The books I (or, as they grew, we, and then they) chose probably mattered more. Some had been read to me by my own parents and at least a couple were read to them by their own parents. Like my children, I learned to read very young, largely because my imagination was fired by those stories, and fired by how much they mattered to my parents and siblings. As much as the people around me, the people who wrote and inhabited the books I listened to and later read made me who I am, and taught me much of what I still know today – not just facts to recall in a pub quiz but ways of thinking and understanding the world, and not just because of the values they shared but because of my responses to them, that increasingly challenged those values. Unlike AI-generated tales, these were shared cultural artifacts, read by vast numbers of people, creating a shared cultural context, values, and meanings that helped to sustain and unite the society I lived in. You may not have read many of the same books I read as a middle class boy growing up in 1960s Britain but, even if you are not of my generation or cultural background, you might have read (or seen video adaptations of) one or more children’s works by A.A. Milne, Enid Blyton, C.S. Lewis, J.R.R.Tolkein, Hans Christian Anderson, Charles Dickens, Lewis Caroll, Kenneth Grahame, Rev. W. Awdry, T.S. Eliot, the Brothers Grimm, Norton Juster, Edward Lear, Hugh Lofting, Dr. Seuss, and so on. That matters, and it matters that I can still name them. These were real authors with attitudes, beliefs, ideas, and styles unlike any other. They were products and producers of the times and places they lived in. Many of their attitudes and values are, looking back, troublesome, and that was true even then. So many racist and sexist stereotypes and assumptions, so many false beliefs, so many values and attitudes that had no place in the 1960s, let alone now. And that was good, because it introduced me to a diversity of ways of being and thinking, and allowed me to compare them with my own values and those of other authors, and it prepared me for changes to come because I had noticed the differences between their context and mine, and questioned the reasons.

With careful prompting, generative AIs are already capable of producing work of similar quality and originality to fan fiction or corporate franchise output around the characters and themes of these and many other creative works, and maybe there is a place for that. It couldn’t be much worse than (say) the welter of appallingly sickly, anodyne, Americanized, cookie-cutter, committee-written Thomas the Tank Engine stories that my grandchildren get to watch and read, that bear as little resemblance to Rev. W. Awdry’s sublimely stuffy Railway Stories as Star Wars. It would soften the sting when kids reach the end of a much loved series, perhaps. And, while it is a novelty, a personalized story might be very appealing, albeit that there is something rather distasteful about making a child feel special with the unconscious output of a machine to which nothing matters. But this is not just about value to individuals, living with the histories and habits we have acquired in pre-AI times. This is something that is happening at a ubiquitous and massive scale, everywhere. When this is no longer a novelty but the norm it will change us, and change our societies, in ways that make me shiver. I fear that mass-individualization will in fact be mass-blandification, a myriad of pale shadows that neither challenge nor offend, that shut down rather than open up debate, that reinforce norms that never change and are never challenged (because who else will have read them?), that look back rather than forward, that teach us average ways of thinking, that learn what we like and enclose us in our own private filter bubble, keeping us from evolving, that only surprise us when they go wrong. This is in the nature of generative AIs because all they have to learn from is our own deliberate outputs and, increasingly, the outputs of prior generative AIs, not from any kind of lived experience. They are averaging mirrors whose warped distortions can convince us they are true reflections. Introducing AI-generated stories to very young children, at scale, seems to me to be an awful gamble with very high stakes for their futures. We are performing uncontrolled experiments with stuff that forms minds, values, attitudes, expectations, and meanings that these kids will carry with them for the rest of their lives, and there is at least some reason to suspect that the harm may be greater than the good, both on an individual and a societal level. At the very least, there is a need for a large amount of editorial control, but how many parents of young children have the time or the energy for that?

That said…

Generating, not consuming output

I do see great value in working with and supporting the kids in creating the prompts for those stories themselves. While the technology is moving too fast for these evanescent skills to be describable as generative AI literacies, the techniques they learn and discoveries they make while doing so may help them to understand the strengths and limitations of the tools as they continue to develop, and the outputs will matter more because they contributed to creating them. Plus, it is a great fun way to learn. My nearly 7-year-old grandchild, with the help of their father, has enjoyed and learned a lot from creating images with DALL-E, for instance, and has been doing so long enough to see massive improvements in its capabilities, so has learned some great meta-lessons about the nature of technological evolution too. This has not stopped them from developing their own artistic skills, including with the help of iPads and AI-assisted drawing tools, which offer excellent points of comparison and affordances to reflect on the differences. It has given them critical insight into the nature of the output and the processes that led to it, and it has challenged them to bend the machine to do what they want it to do. This kind of mindful use of the tools as complementary partners, rather than consumption of their products, makes sense to me.

I think the lessons carry forward to adult learning, too. I have huge misgivings about giving generative AIs a didactic role, for the same reasons that having them tell stories to children worry me. However, they can be great teachers for those that make use of them to create output, rather than being targets of the output they have created. For instance I have been really enjoying using ChatGPT+ to help me write an Elgg plugin over the past few weeks, intended to deal with a couple of show-stopping bugs in an upgrade to the Landing that I had been struggling with for about 3 years, on and (mostly) off. I had come to see the problems as intractable, especially as a fair number of far smarter Elgg developers than I had looked at them and failed to see where the problems lay. ChatGPT+ let me try out a lot more ideas than even a large team of developers would have been able to come up with alone, and it took care of some of the mundane repetitive work that made the process slow.  Though none of it was bad, little of its code was particularly good: it made up stuff, omitted stuff, and did things inefficiently. It was really good, though, at putting in explanatory comments and documenting what it was doing. This was great, because the things I had to do to fix the flaws taught me a lot more than I would have learned had they been perfect solutions. Nearly always, it was good enough and well-documented enough to set me on the right path, but the ways it failed drove me to look at source documentation, query the underlying database (now knowing what to look for), follow conversations on GitHub, and examine human-created plugins, from which I learned a lot more and got further inspiration about what to ask the LLM to do next. Because it made different mistakes each time, it helped me to slowly develop a clearer model of how it should really have happened, so I got better and better at solving the problems myself, meanwhile learning a whole raft of useful tricks from the code that worked and at least as much from figuring out why it didn’t. It was very iterative: each attempt sparked ideas for the next attempt. It gave me just enough scaffolding to help me do what I could not do alone. About half way through I discovered the cause of the problem – a single changed word in the 150,000+ lines of code in the core engine, that was intended to better suit the new notification system, but that resulted in the existing 20m+ notification messages in the system failing to display correctly. This gave me ideas for some better prompts, the results of which taught me more. As a result, I am now a better Elgg coder than I was when I began, and I have a solution to a problem that has held up vital improvements to an ailing site used by more than 16,000 people for many years (though there are still a few hurdles to overcome before it reaches the production site).

Filling the right gaps

The final solution actually uses no code from ChatGPT+ at all, but it would not have been possible to get to that point without it. The skills it provided were different to and complementary to my own, and I think that is the critical point. To play an effective teaching role, a teacher has to leave the right kind of gaps for the learner to fill. If they are too large or too small, the learner learns little or nothing. The to and fro between me and the machine, and the ease with which I could try out different ideas, eventually led to those gaps being just the right size so that, instead of being an overwhelming problem, it became an achievable challenge. And that is the story that matters here.

The same is true of the stories that inspire: they leave the right sized gaps for the reader or listener to fill with their own imaginations while providing sufficient scaffolding to guide them, surprise them, or support them on the journey. We are participants in the stories, not passive recipients of them, much as I was a participant in the development of the Elgg plugin and, similarly, we learn through that participation. But there is a crucial difference. While I was learning the mechanical skills of coding from this process (as well as independently developing the soft skills to use them well), the listener to or reader of a story is learning the social, cultural, and emotional skills of being human (as well as, potentially, absorbing a few hard facts and the skills of telling their own stories). A story can be seen as a kind of machine in its own right: one that is designed to make us think and feel in ways that matter to the author. And that, in a nutshell, is why a story produced by a generative AI is such a problematic idea for the reader, but the use of a generative AI to help produce that story can be such a good idea for the writer.

Originally posted at: https://landing.athabascau.ca/bookmarks/view/21680600/stories-that-matter-and-stories-that-dont-some-thoughts-on-appropriate-teaching-roles-for-generative-ais

Presentation – Generative AIs in Learning & Teaching: the Case Against

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Here are the slides from my presentation at AU’s Lunch ‘n’ Learn session today. The presentation itself took 20 minutes and was followed by a wonderfully lively and thoughtful conversation for another 40 minutes, though it was only scheduled for half an hour. Thanks to all who attended for a very enjoyable discussion! self portrait of chatGPT, showing an androgynous human face overlaid with circuits

The arguments made in this were mostly derived from my recent paper on the subject (Dron, J. (2023). The Human Nature of Generative AIs and the Technological Nature of Humanity: Implications for Education. Digital, 3(4), 319–335. https://doi.org/10.3390/digital3040020) but, despite the title, my point was not to reject the use of generative AIs at all. The central message I was hoping to get across was a simpler and more important one: to encourage attendees to think about what education is for, and what we would like it to be. As the slides suggest, I believe that is only partially to do with the objectives and outcomes we set out to achieve,  that it is nothing much at all to do with the products of the system such as grades and credentials, and that focus on those mechanical aspects of the system often creates obstacles to the achievement of it. Beyond those easily measured things, education is about the values, beliefs, attitudes, relationships, and development of humans and their societies.  It’s about ways of being, not just capacity to do stuff. It’s about developing humans, not (just) developing skills. My hope is that the disruptions caused by generative AIs are encouraging us to think like the Amish, and to place greater value on the things we cannot measure. These are good conversations to have.